In House of Gucci, there is a moment where an angry Paolo Gucci (Leto) urinates over the famous Gucci Flora scarf created for Princess Grace, formerly known as Grace Kelly.įord confesses he was jealous of the scene, writing: "It was something that I always wanted to do myself, as I was constantly being asked to try to revive that damned scarf.Read more Fashion Crimes-From The Maurizio Gucci Plot to Versace's Assassination The result, sadly, is a story in which we identify with no one." The Gucci Scarf But because they stayed in, there is no time for the character development of the key players and thus we have little attachment to-or empathy for-any of them. He wrote: "Under different circumstances, there is no doubt that some of those scenes would have ended up on the cutting-room floor. In Ford's eyes, audiences were "subject to pointless and sometimes confusing scenes," which he argues were included solely to allow the leading actors to shine. Overall, Ford praised the performances of the cast of House of Gucci but did not shy from pointing out the limits a stellar cast may have had on the film itself. I climbed into that creative cave and came out through the bowels and intestines into the esophagus of the one and only Paolo Gucci." There was a lot of work and preparation, and yes, I had an Italian accent and I enjoyed and embraced that, and lived in that space as much as I could, and for as long as I possibly could. If you took a biopsy of my skin, it would come back as parmesan cheese! This is my love letter to Italy. Read more Fashion Crimes-From The Maurizio Gucci Plot to Versace's Assassination Movies have a way of becoming truth in people's minds, an alternate reality that in time obliterates the reality of what was." He certainly never toasted me after that show as he does in the film. He wrote: "Maurizio had been bought out of the company by the time I assumed the position of creative director of Gucci and had my first hit collection. In House of Gucci, Ford is seen working with Maurizio and celebrating with him after his first collection had its debut on the runway.įord took issue with the show's accuracy, particularly regarding his own story. Ford began working at Gucci in 1990 and served as the creative director of the house from 1994 to 2004. Penny Dreadful's Reeve Carney portrayed a young Tom Ford in House of Gucci, bright-eyed and bushy-tailed, ready to make his mark on the fashion world. It was at times absurd, but ultimately it was tragic." On His Portrayal He wrote: "It was hard for me to see the humor and camp in something that was so bloody. He reflected: "Was it a farce or a gripping tale of greed? I often laughed out loud, but was I supposed to?"Īt the end of his essay, Ford reflected how "deeply sad" he felt for several days after watching House of Gucci. Writing in Air Mail, Ford described his experience of watching the two-hour and 37-minute film in the theater as feeling as though he had "lived through a hurricane." How Tom Ford Transformed the House of Gucci.All You Need To Know About 'House of Gucci's' Pina Auriemma.Gucci Family Blasts 'House of Gucci' Film as an 'Insult'.Newsweek has a full recap of everything Ford has said about House of Gucci below. But he did raise concerns about the film's accuracy and delivery, writing he found it hard to see "the humor and camp in something that was so bloody." In his essay, he praised the performances of Lady Gaga as Patrizia, Adam Driver as Maurizio, Jeremy Irons for playing Maurizio's father Rodolfo, and Salma Hayek as psychic Pina Auriemma. So far, the film has received mixed reviews from critics and Tom Ford has recently spoken out about the film in an essay he penned for Air Mail. House of Gucci follows the rise and fall of the Italian power couple, Patrizia Reggiani (played by Lady Gaga) and Maurizio Gucci (Adam Driver), and the events leading to Mauritzo's assassination at the hands of his ex-wife Patrizia on March 27, 1995. In Ridley Scott's House of Gucci, Reeve Carney portrays Ford in the early 1990s as he joins the Gucci brand and debuts his first collection. Ford joined the company in 1990 and has been credited with ultimately saving the fashion brand from bankruptcy. In 1994, a young Tom Ford became the creative director of Gucci, turning the brand around with his eye-catching women's ready-to-wear designs.
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